
Mechanical & Engineering
M&E photography of plant, risers, and services installations, documented cleanly for records and marketing. Learn more →
On site to handover
Progress, handover, and trades in situ, documented cleanly on live and completed sites.
Overview
Construction photography tells the story a finished building cannot: the programme, the craft, and the trades working in situ. I document live and completed sites across London and the UK for main contractors, developers, and specialist subcontractors who need a clear visual record of progress and quality.
From mechanical and engineering installations to CAT A and CAT B fit-out, glazing, drylining, and balconies, each stage is photographed cleanly and safely, with the site left as I found it. The images support progress reports, marketing, case studies, and handover, and prove the standard of work behind the finish.
Working across live sites in London and the UK, I fit around the programme and the trades, arrive inducted and in full PPE, and leave the site as I found it. The result is a dependable record you can use for reporting, marketing, and handover, and a set of images that proves the quality behind the finish.




What I photograph

M&E photography of plant, risers, and services installations, documented cleanly for records and marketing. Learn more →

CAT A and CAT B fit-out photography, from base build through to a fully furnished, occupied workspace. Learn more →

Glazing and curtain wall photography that shows the install, the reflections, and the finished line. Learn more →

Drylining and partition photography that records the standard of work before it is covered by finishes. Learn more →

Balcony and balustrade photography, capturing both the install and the finished detail at height. Learn more →

Trades working in situ, shot safely and unobtrusively to show the craft and the programme. Learn more →
Why it matters
A clear visual record of quality and progress that supports handover, quality assurance, and any disputes.
Progress images keep clients, investors, and social channels engaged throughout the build.
A construction photographer who works to site rules, arrives inducted and in PPE, and never holds up the job.
How it works
We start with a short brief and, where it helps, a site recce: the building, the shot list, the deadline, and where the images will be used.
I attend on site with full lighting and access equipment, shooting around the light to capture a considered set of exteriors, interiors, and detail.
You review a contact sheet of every frame and choose your selects. Each is finished by hand: verticals corrected, colour matched, and distractions removed.
Final files arrive in high resolution for print and web-sized for digital, licensed for your use, usually within five working days.




What you get
Who it is for
Two clear rates: £700 for up to 20 final images, £1200 for up to 40. See rates and licensing for what each includes.

Featured project
London
Ongoing progress photography on a central London site, capturing structure, services, and fit-out through to handover for the main contractor and client team.
See more projects →234 frames
Questions
Yes. I attend site with full PPE and work to site rules and inductions. Share any specific requirements when booking and I will make sure they are met.
Yes. I plan around the programme and the trades on site, working quickly and safely so photography does not hold up the job.
Many clients book a regular visit, monthly or at key milestones, so the full programme is captured. One-off handover shoots are also available.
Aerial coverage can be arranged with a licensed operator where a site allows it, to show the wider context and progress from above.
Site visits use the same two rates as all commissions: £700 for up to 3 hours on site with 20 final retouched images, or £1200 for up to 6 hours with 40 images. Many clients book a regular visit, monthly or at key milestones, so the programme is documented end to end.
Yes. Regular visits are shot from consistent positions and finished to a consistent look, so the full programme reads as one series.
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